Tuesday, March 6, 2012
The Best TV Dramas of the Past 25 Years
Vulture.com, one of the best culture blogs around, is doing a series to determine what the greatest TV drama of the past 25 years is, and it got me thinking about what I consider to be the best. HBO revolutionized the TV drama, making it more about the overall narrative of the series, and less about what happens in each individual episode, and it’s because of shows like The Sopranos and the emergence of TV DVDs and DVR, that the way we watch TV has changed. We're now more likely to sit and watch an entire season in a few sittings, as opposed to waiting a week for a new episode.
My picks:
The Sopranos
Six Feet Under
Breaking Bad
Friday Night Lights
Sons of Anarchy
Notable mention goes to Mad Men. And as for #1, it’s hard to choose. My gut tells me to go with The Sopranos because I love every minute of every episode of every season, including the phenomenal cast, the acting, and the narrative, but I think each show I’ve selected brings something very different to the table. It really is impossible to compare a show like Friday Night Lights to something like Sons of Anarchy.
Thursday, February 23, 2012
Sons of Anarchy - Give SAMCRO a Chance
Sons of Anarchy follows Jackson (Jax) Teller (Charlie Hunnam), Vice President of the Sons of Anarchy Motorcycle Club also known as SAMCRO, in the fictional town of Charming, California. Although, if we're being honest, it's not so much a motorcycle club, as it is a gang that buys and sells machine guns to various other crews in neighbouring towns. Charming’s residents seems to respect them, perhaps out of fear, but at the heart of it all, SAMCRO is a brotherhood of blue collar guys just trying to continue on the tradition and legacy passed down to them - to ride and protect their town and family.
Sons of Anarchy is edge-of-your-seat engaging, and the characters have layers upon layers of depth – each one distinctly appealing. Maybe I'm just a romantic at heart but it's refreshing to see Jax interact with his newborn son and his high school sweetheart (Maggie Siff) who's just recently returned to town as a local Doctor. To see a machine gun-wielding, Harley-riding, gang member adorably coo to his baby and yearn for the love that left him heartbroken a decade earlier – it’s what keeps me coming back.
Show creator Kurt Sutter, who also plays the character Otto, an incarcerated SAMCRO member, is one of very few show runners who truly understands the value of keeping fans engaged through social media. He blogs and tweets all-year-round, giving fans a backstage pass to his writing process, filming, and the characters we’ve come to love. Like I said, season 5 starts in September, so you have lots of time to catch up on the first four seasons. If there's one show you watch this year, pick Sons of Anarchy.
Tuesday, January 17, 2012
Analyzing the Mad Men Season 5 Poster
| Flavorwire.com |
At this point, I may have to re-watch at least the last few episodes to jog my memory. I guess it's a good thing I wrote a Season 4 recap of sorts back in 2010. Wow, it really has been a while.
Could this be the beginning of the end for Don Draper? The Season 5 poster seems like it's teasing us with Don's descent, and even though it's straight from the show's opening credits, it may foresee what Flavorwire says is Don, "metaphorically jumping out of a building and/or floating in grayscale nothingness?"
Week 2 - Killer Elite
| Filmofilia.com |
Number 2 on my 52 weeks of DVDs from eOne Entertainment, Killer Elite is perfect for adrenaline junkies who enjoy an excess of explosions, a well-choreographed-but-unrealistic fight sequence, and Jason Statham (you know, that Transporter guy who seems to be in every action flick being released these days). Also starring the iconic (yup, I said it) Robert DeNiro, Clive Owen, and Prison Break fans should recognize a much furrier Lincoln Burrows (Dominic Purcell) with a cute little Aussie accent.
In a memorable scene, Clive Owen (who's handcuffed), Jason Statham (who's tied to a chair), and a third party, have this one-on-one-on-one fight that is jaw-droppingly cool but at the same time, impossibly ridiculous and completely unbelievable. But whatever, it is what it is, which is an action film with punches to spare. It's not deep and it definitely isn't Shakespeare but I liked it. Not a bad way to spend a Sunday afternoon.
Tuesday, January 10, 2012
I Won!
I got an early Christmas present this year when I, a self-proclaimed movie addict, won a contest from Canadian film distributor eOne Entertainment, that to be honest, I can't even remember entering. What I won is one free DVD a week, for a year, so basically, 52 DVDs. To say that I was excited was an understatement. Those of you who know me are aware of my constantly-growing collection of DVDs and Blu-Rays, and that I relish the thought of filling more and more shelves (even if the same people taunt me about my collection eventually becoming obsolete!).
What I've decided to do, is to watch all 52 of these movies as I receive them and take you along for the journey. So stay tuned for my posts.
Week 1: Shark Night
Week 2: Killer Elite
Week 3: Tree of Life
Week 4: 50/50
Week 5: Dream House
Week 6: R.E.D.
What I've decided to do, is to watch all 52 of these movies as I receive them and take you along for the journey. So stay tuned for my posts.
Week 1: Shark Night
Week 2: Killer Elite
Week 3: Tree of Life
Week 4: 50/50
Week 5: Dream House
Week 6: R.E.D.
Why You Should Watch Downton Abbey
| NYPost.com |
Taking place in Edwardian England, the stand-out Dame Maggie Smith portrays super snobby, quick-witted and sharp-tongued Countess of Grantham, who spews some of the best one-liners on television today. In a Pride and Prejudice-style dilemma, the Grantham family's home and inheritance can only be passed down through male heirs, but alas, the Earl of Grantham and his wife have only had girls. Typical, right? The girls always get the short end of the stick. This period piece really is no where near as stuffy as it seems, and since it hasn't been adapted from a novel, we have no idea how it will end. And what Downton Abbey does that makes it a success, is delve deeply into not only the lives of the Earl and his family, but also the large and complex staff that serves them, who don't just remain on the periphery and are just as, if not more, intriguing.
Season 1 introduces us to the upstairs and downstairs residents of Downton. The matriarch Violet, Dowager Countess of Grantham (Maggie Smith), her son Robert the Earl of Grantham, his American wife Cora, and their three daughters, the eldest Mary, then Edith and the youngest Sybil. When the series begins, the eldest daughter is engaged to marry Earl of Grantham's heir Patrick, but when Patrick and his father go down with the Titanic, Robert's next heir is something like a second cousin, once-removed - Matthew Crawley, who then moves to town with his mother Isobel.
Downstairs, we get to see how a house of this size and status would have actually run in those times. With butlers, housekeepers, countless lady's maids to personally take care of each lady, valets (pronounced with a hard 't' apparently!), cooks and waiters. Things appear smooth on the surface, but in Downton Abbey, these 'downstairs' characters have their own hopes, aspirations, and complicated love stories that more often than not, cause as much emotional turmoil and heartache as to their employers.
Tuesday, December 13, 2011
One Culture Junkie's Take on the Best TV Shows of 2011
| Photos via hitflix, fanpop, tvfanatic, thedailybeast. |
I’m hesitant to call this a Best-of-2011 TV list, because let's be honest, I don’t watch every show on TV. I’m picky about what I choose to watch and hardly watch half-hour sitcoms so even though I may chuckle at a passing episode of Happy Endings, I much prefer the one-hour intensity of a TV drama. So instead, let’s call this what it is: one culture junkie’s take on the best shows of 2011.
Oh, and SPOILER ALERT.
Friday Night Lights
One of the most realistic (if you pretend season 2 never happened), heartwarming, and artfully written television shows came to an end this year after five seasons of disappointingly low viewership. When Coach Taylor said his final "Clear Eyes, Full Hearts, Can’t Lose", I’m not ashamed to admit my stomach was in knots and tears were inevitably streaming. I’ve never been so emotionally attached to a cast of characters before - there will never be a family quite like them. And of course, saying goodbye to Riggins was pretty much heartbreaking.
Revenge
Officially the guilty pleasure show of 2011 and what I consider to be the best new show on network TV. A prime-time soap complete with enough secrets, betrayal and treachery to keep any soap lover content. Takes place in the Hampton’s, where elite socialites and lavish parties provide the backdrop for some very juicy scheming.
Boardwalk Empire
The last three episodes of season two were absolute, jaw-dropping, game-changers. When Angela was taken out, we knew that no one was safe and that it was a definite possibility that the main characters we came to love over the past two seasons could potentially start dropping like flies. As cringe-worthy as the penultimate episode was (incest is really having a moment right now on TV), and even though we knew a showdown of sorts was coming, nothing could prepare us for the torture of having to see Nucky actually put two bullets into the man he pretty much raised. Well, at least we still have Richard Harrow.
Breaking Bad
Hands down, the best hour on television right now, with the most satisfying season finale I’ve seen on TV, maybe ever. Plus, the plot twist in the very last scene was completely unexpected and disturbing. For four seasons, we’ve watched the once-timid, cancer-ridden chemistry teacher evolve into a ruthless criminal capable of unimaginable lows. And I can’t reference this season without at least mentioning the shocking death scene of arguably the creepiest bad guy to ever exist on television - Gustavo Fring, who literally got his face blown off à la Walking Dead.
Wednesday, November 30, 2011
Review: Fassbender & Mulligan in Shame
| Hollywood Reporter |
Fassbender gives an unnerving and agonizing performance, putting a disturbing face on sexual addiction, from his piercing stares at random conquests to the façade he barely manages to maintain in his professional life. Mulligan was phenomenal as his sister, completely fragile and unhinged, and we get to see her vulnerability and brokenness in one of the most emotionally-charged scenes of the film - Mulligan’s haunting rendition of 'New York, New York'. Hinting but never fully acknowledging an unusual childhood relationship between the two, she says, “We’re not bad people, Brandon. We just come from a bad place”.
Shame was unapologetically explicit, hard, and definitely unsettling. But beautiful. Exquisitely beautiful.
Friday, November 25, 2011
Season 2 of HBO's How to Make it in America - Finally Makin' It
To give them some credit, the cast and crew of How to Make it in America had some serious hype to live up to from the beginning. A show about a group of guys hustling to 'make it' big, backed by Mark Wahlberg - everyone kind of assumed it'd be like the next Entourage. Of course it wasn't like Entourage at all, and it wasn't very good either. Last season, How to Make it in America suffered from that, 'trying too hard to be hip', problem that's spread across North America like a virus. It was all about being underground, ultra-exclusive and going to the 'coolest' parties, but pretending like it was no big deal.
I've got to hand it to them though, because, this season was a vast improvement. The Rene storyline wasn't as isolated as last year, and they managed to get some pretty alluring guest stars, like Gina Gershon, Joe Pantoliano (Ralphie from The Sopranos!) and even Pharrell. They got rid of characters that no one gave a shit about, like Gingy (sorry Shannyn Sossamon), Rachel's hotelier boyfriend and ex-boss (Martha Plimpton has a better gig anyway, on Raising Hope). Plus, those Neanderthal hipsters are hilarious! Like, hey, I grow my own self-sustaining garden, let's bicycle around Bushwick at night for no reason and do shrooms cuz, well, why the hell not?! Oh, hipsters.
The improvements may be too little, too late though, because the way-too-short season 2's over and there's been no word from HBO on giving the boys (+ Lake Bell) a round 3. Finger's crossed. It's not the greatest show on earth, but I'd hate to see Bryan Greenberg and Victor Rasuk go out without actually 'makin it'.
I've got to hand it to them though, because, this season was a vast improvement. The Rene storyline wasn't as isolated as last year, and they managed to get some pretty alluring guest stars, like Gina Gershon, Joe Pantoliano (Ralphie from The Sopranos!) and even Pharrell. They got rid of characters that no one gave a shit about, like Gingy (sorry Shannyn Sossamon), Rachel's hotelier boyfriend and ex-boss (Martha Plimpton has a better gig anyway, on Raising Hope). Plus, those Neanderthal hipsters are hilarious! Like, hey, I grow my own self-sustaining garden, let's bicycle around Bushwick at night for no reason and do shrooms cuz, well, why the hell not?! Oh, hipsters.
The improvements may be too little, too late though, because the way-too-short season 2's over and there's been no word from HBO on giving the boys (+ Lake Bell) a round 3. Finger's crossed. It's not the greatest show on earth, but I'd hate to see Bryan Greenberg and Victor Rasuk go out without actually 'makin it'.
Wednesday, November 23, 2011
From Mean Streets to Hugo: Martin Scorsese's Films by Genre
We may know him as a crime film genius, but Martin Scorsese has made contributions to more genres than you may think. In fact, some of his most memorable and iconic characters aren't even gangsters. Alright, they're definitely not as memorable as, say Tommy DeVito, but still. His latest movie, Hugo, is out now and, perhaps he's following Francis Ford Coppola's lead because it's quite the departure for good-ol' Marty. Yup, the man known the world over for his gritty and violent portrayal of crime, has made a 3D kids movie.
Subscribe to:
Posts (Atom)